Wrapper
Object Details
- Asante artist
- Label Text
- In West Africa, cloth is made of wool, cotton or silk, or combinations of these materials. Woven on narrow strip looms, they are then hand or machine-sewn together to create large wrappers, cloths or blankets with patterns dyed or woven into the fabric.
- The placement of this wrapper's pattern blocks and the order of the background stripes in this cloth typify the asymmetrical nature of West African textile design. Its pattern name is mmaban which means "mixed," a reference to the variation in the warp designs. Its yellow silk was unraveled from imported cloth and the cotton thread is also machine spun.
- Description
- Cotton and silk wrapper composed of thirteen panels handsewn at the selvedges in varying patterns and blocks of geometric designs in red, white, dark blue, light green, yellow, light blue and light yellow.
- Provenance
- Venice and Alastair Lamb, England, purchased in Bonwire, Ghana, 1969 to 1985
- Exhibition History
- Wrapped in Pride: Ghanaian Kente and African American Identity, Newark Museum, September 15, 1998-January 3, 1999; National Museum of African Art, Smithsonian Institution, Washington, D.C., September 12, 1999-January 2, 2000; Charles H. Wright Museum of African American History, May 13-July 30, 2000
- Patterns of Life: West African Strip-Weaving Traditions, National Museum of African Art, Smithsonian Institution, Washington, D.C., September 28, 1987-February 29, 1988
- Published References
- Gilfoy, Peggy. 1987. Patterns of Life: West African Strip Weaving Traditions. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 83, no. 31.
- Ross, Doran H. 1998. Wrapped in Pride. Los Angeles: Fowler Museum of Cultural History, University of California, p. 297, no. 7.
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Credit Line
- National Museum of African Art, National Museum of Natural History, purchased with funds provided by the Smithsonian Collections Acquisition Program, 1983-85, EJ10598
- Before 1969
- Object number
- EJ10598
- Restrictions & Rights
- Usage conditions apply
- Type
- Textile and Fiber Arts
- Medium
- Cotton, silk, indigo dye, natural dye, synthetic dye
- Dimensions
- H x W: 158 x 97.8 cm (62 3/16 x 38 1/2 in.)
- Geography
- Bonwire, Ghana
- See more items in
- National Museum of African Art Collection
- Object Name
- kente
- kubi mmaban
- National Museum of African Art
- Topic
- Adornment
- male
- Record ID
- nmafa_EJ10598
- Metadata Usage (text)
- Usage conditions apply
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys77967daf6-4403-4ee1-8418-6841b860328c
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.