Skip to main content

Search

My Visit
Donate
Home Smithsonian Institution

Site Navigation

  • Visit
    • Museums and Zoo
    • Entry and Guidelines
    • Maps and Brochures
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
      • Group Sales
  • What's On
    • Exhibitions
      • Current
      • Upcoming
      • Past
    • Online Events
    • All Events
    • IMAX & Planetarium
  • Explore
    • - Art & Design
    • - History & Culture
    • - Science & Nature
    • Collections
      • Open Access
    • Research Resources
      • Libraries
      • Archives
        • Smithsonian Institution Archives
        • Air and Space Museum
        • Anacostia Community Museum
        • American Art Museum
        • Archives of American Art
        • Archives of American Gardens
        • American History Museum
        • American Indian Museum
        • Asian Art Museum Archives
        • Eliot Elisofon Photographic Archives, African Art
        • Hirshhorn Archive
        • National Anthropological Archives
        • National Portrait Gallery
        • Ralph Rinzler Archives, Folklife
        • Libraries' Special Collections
    • Podcasts
    • Stories
  • Learn
    • For Caregivers
    • For Educators
      • Art & Design Resources
      • Science & Nature Resources
      • Social Studies & Civics Resources
      • Professional Development
      • Events for Educators
      • Field Trips
    • For Students
    • For Academics
    • For Lifelong Learners
  • Support Us
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
      • Smithsonian Call Center
      • Ambassador Program
      • Museum Information Desk
      • Docent Programs
      • Behind-the-Scenes
      • Digital Volunteers
      • Participatory Science
  • About
    • Our Organization
      • Board of Regents
        • Members
        • Committees
        • Reading Room
        • Bylaws, Policies and Procedures
        • Schedules and Agendas
        • Meeting Minutes
        • Actions
        • Webcasts
        • Contact
      • Museums and Zoo
      • Research Centers
      • Cultural Centers
      • Education Centers
      • General Counsel
        • Legal History
        • Internships
        • Records Requests
          • Reading Room
        • Tort Claim
        • Subpoenas & Testimonies
        • Events
      • Office of Human Resources
        • Employee Benefits
        • How to Apply
        • Job Opportunities
        • Job Seekers with Disabilities
        • Frequently Asked Questions
        • SI Civil Program
        • Contact Us
      • EEO & Small Business
        • EEO Complaint Process
        • Individuals with Disabilities
        • Small Business Program
          • Doing Business with Us
          • Contracting Opportunities
          • Additional Resources
        • Special Emphasis Program
      • Sponsored Projects
        • Policies
          • Combating Trafficking in Persons
          • Animal Care and Use
          • Human Research
        • Reports
        • Internships
    • Our Leadership
    • Reports and Plans
      • Annual Reports
      • Metrics Dashboard
        • Dashboard Home
        • Virtual Smithsonian
        • Public Engagement
        • National Collections
        • Research
        • People & Operations
      • Strategic Plan
    • Newsdesk
      • News Releases
      • Media Contacts
      • Photos and Video
      • Media Kits
      • Fact Sheets
      • Visitor Stats
      • Secretary and Admin Bios
      • Filming Requests

Wrapper

National Museum of African Art

Object Details

Nana Tiko
Asante artist
Label Text
Woven by Nana Tiko in Bonwire, this silk wrapper is handsewn of eight strips with a repeating geometric composition of blocks with zigzags and checkers. In West Africa, cloth is made of wool, cotton or silk, or combinations of these materials. Woven on narrow strip looms, they are then hand or machine-sewn together to create large wrappers, cloths or blankets with patterns dyed or woven into the fabric.
The cloth type is known as Asasia, the rarest and most prestigious of the cloths. It is woven on three pairs of heddles, producing a distinctive twill pattern in the diagonal alignment of the weft floats. The third pair of heddles allows for a more intricate weft pattern.
Asasia cloths are the exclusive prerogative of the Asantehene and those he designates. They were traditionally woven by a single family of weavers in Bonwire. When Venice Lamb was conducting her research from 1968 to 1972, she was told that there was only one weaver in the town who remembered the twill patterns and that he was no longer able to execute them. During research as recently as 1997, however, several weavers were reported as being capable of producing Asasia. It was only commissions from the Asantehene or other entitled chiefs that were lacking. Regardless, it is evident that these are the most labor intensive weavings.
Lamb, Venice. 1975. West African Weaving. London: Duckworth, pp. 125-128.
Ross, Doran. 1998. Wrapped in Pride. Los Angeles: Fowler Museum of Cultural History, University of California, p. 81.
Description
Silk wrapper composed of eight strips with fringed ends and featuring repeating geometric designs in yellow, red, green and black checkered and zig zag motif.
Provenance
Venice and Alastair Lamb, England, purchased in Bonwire, Ghana, 1970 to 1983-1985
Published References
Ross, Doran. 1998. Wrapped in Pride. Los Angeles: Fowler Museum of Cultural History, University of California, pp. 81, 298, nos. 6.15, 8.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
National Museum of African Art, National Museum of Natural History, purchased with funds provided by the Smithsonian Collections Acquisition Program, 1983-85, EJ10579
Early-late 19th century
Object number
EJ10579
Restrictions & Rights
CC0
Type
Textile and Fiber Arts
Medium
Silk, synthetic dye
Dimensions
H x W: 154 x 65.2 cm (60 5/8 x 25 11/16 in.)
Geography
Bonwire, Ghana
See more items in
National Museum of African Art Collection
Object Name
kente
National Museum of African Art
Topic
Status
Adornment
Female use
geometric motif
male
Record ID
nmafa_EJ10579
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7c7f4b200-1183-48c2-be0a-1743d2bb85bb

Related Content

  • Digital Backgrounds

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Footer logo

Link to homepage

Footer navigation

  • Contact Us
  • Job Opportunities
  • Get Involved
  • Inspector General
  • Records Requests
  • Accessibility
  • EEO & Small Business
  • Shop Online
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use

Social media links

  • Facebook
  • Instagram
  • YouTube
  • LinkedIn

Get the latest news from the Smithsonian

Sign up for Smithsonian e-news

Get the latest news from the Smithsonian

Email powered by BlackBaud (Privacy Policy, Terms of Use)
CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.
Back to Top