Object Details
- Akan artist
- Label Text
- Although often identified with the Asante, the most numerous and best known of the Akan peoples, weights for measuring gold dust were made and used throughout Ghana and Côte d'Ivoire. For more than five centuries, from about 1400 to 1900, Akan smiths cast weights of immense diversity. Their small size made them portable and easy to trade. Each weight was cast individually in the lost-wax method. What resulted was a unique piece, but one that had to be a specific weight to function. The shape or figure of a weight did not correspond to a set unit of measure: a porcupine in one set could equal an antelope in another, or a geometric form in a third. For important transactions, gold dust was placed on one side of a small, handheld balance scale, a weight on the other. Each party to the dealing verified the amount of gold dust using his or her own weights. Weights may act as display pieces implying wealth in both the size of individual weights and the number owned.
- Some figurative weights evoke well-known Akan proverbs, and more than one proverb may apply. This is perhaps particularly true of animal weights. This weight depicting a turtle or tortoise can exemplify the qualities of independence and self-sufficiency as in the proverb "Because the tortoise does not like to belong to any clan, it always bears its coffin along with it."
- Description
- Cast copper alloy figurative weight in the form of a tortoise with a cross design incised on its back and front legs curving towards head and back legs curving inwards.
- Provenance
- Eliot Elisofon, New York, -- to 1973
- Exhibition History
- Visionary: Viewpoints on Africa's Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 4, 2017-ongoing
- Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Credit Line
- Bequest of Eliot Elisofon
- 18th-late 19th century
- Object number
- 73-7-191
- Restrictions & Rights
- Usage conditions apply
- Type
- Sculpture
- Medium
- Copper alloy
- Dimensions
- H x W x D: 1 x 3.5 x 2.5 cm (3/8 x 1 3/8 x 1 in.)
- Geography
- Ghana
- Côte d'Ivoire
- See more items in
- National Museum of African Art Collection
- Exhibition
- Visionary: Viewpoints on Africa's Arts
- On View
- NMAfA, Second Level Gallery (2193)
- Object Name
- abrammuo
- National Museum of African Art
- Topic
- turtle
- male
- Trade
- Record ID
- nmafa_73-7-191
- Metadata Usage (text)
- Usage conditions apply
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys784454e76-6dad-4b4f-a8d8-edbe48ea1de4
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