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Staff finial

National Museum of African Art

Object Details

Bamana artist
Label Text
Presenting only the essentials of the form, a Bamana blacksmith created this minimal image of a horse and rider, elegant in its stylization and simplification. In Mali, iron ore has been smelted and forged since the end of the first millennium B.C. Blacksmiths of the region still forge iron using techniques developed centuries ago. When heated, iron can be hammered into any desired shape. It hardens into a permanent form as it cools. Smiths are regarded as extraordinary for their ability to transform raw iron into tools, weapons and ritual objects.
This sculpture was once part of a longer iron staff. The horse and female rider suggest the rank and power of the chief and the importance of his family. The rider wears a hat like those worn by other important persons: hunters, ritual specialists and the praise singers or historians known as griots. The portrayal of a female rider recalls those Mande women who have acquired power and earned respect through force of character or ability as a sorcerer and are affiliated with hunters' associations. The horse suggests the powerful cavalry of the Bamana kingdoms. Such staffs were displayed on special occasions to commemorate ancestors or placed near areas sacred to initiation associations such as Jo. It was probably used as a marker for a chief's burial.
Description
Iron staff finial composed of a female figure with flat, conical hat sits astride a horse on a curved saddle. The shaft of the staff is cut off just below the level of the horse's hooves.
Provenance
J.J. Klejman, New York, 1963
Joseph H. Hirshhorn, Greenwich, Connecticut, 1963 to 1966
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1966 to 1985
Exhibition History
Heroes: Principles of African Greatness, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 16, 2019–October 3, 2021
Icons: Ideals and Power in the Art of Africa, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 25, 1989-September 3, 1990
Published References
Cole, Herbert. 1989. Icons: Ideals and Power in the Art of Africa. Washington, D.C.: Smithsonian Institution Press, p. 48, no. 53.
National Museum of African Art. 1999. Selected Works from the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 23, no. 7.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Joseph H. Hirshhorn to the Smithsonian Institution in 1966
Early to mid-19th century
Object number
85-19-1
Restrictions & Rights
CC0
Type
Sculpture
Medium
Iron
Dimensions
H x W x D: 24.1 x 5.1 x 18.1 cm (9 1/2 x 2 x 7 1/8 in.)
Geography
Bougouni area, Mali
See more items in
National Museum of African Art Collection
National Museum of African Art
Topic
Funerary
Commemorative
Initiation
Leadership
Status
equestrian
horse
male
female
Record ID
nmafa_85-19-1
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7e70e07a3-58de-4ede-8629-13830021f767
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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