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Self-Portrait with Rita

National Portrait Gallery

Object Details

Artist
Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975
Sitter
Thomas Hart Benton, 15 Apr 1889 - 9 Jan 1975
Rita Piacenza Benton, 5 Jan 1896 - 9 Apr 1975
Exhibition Label
At the turn of the twentieth century, Thomas Hart Benton was among many young painters who embraced abstraction. He soon rejected that brand of modernism, however, and emerged in the 1920s as a leader of the regionalist school of realism, whose primary concern was the portrayal of local life and history in America. Benton made this portrait of himself and his wife (wearing the latest in bathing-suit fashion) at Martha’s Vineyard in Massachusetts, sometime around 1924. Best known for his panoramic murals, he brought to his works a boldness of composition that led one critic to describe him as “the most . . . vigorous and virile of our painters.” Benton was also interested in Hollywood’s star culture, and his bare- chested likeness in this work may reference Douglas Fairbanks Sr.’s appearance in The Thief of Bagdad (1924).
Comenzando el siglo XX, Thomas Hart Benton se contaba entre los numerosos pintores jóvenes que se entregaron a la abstracción. Sin embargo, pronto rechazó ese tipo de modernismo y en los años veinte fue uno de los líderes de la escuela de realismo regionalista, cuyo interés principal era la vida y la historia de las pequeñas comunidades de Estados Unidos. Benton hizo este retrato de él y su esposa (con un traje de baño de última moda) en Martha’s Vineyard, Massachusetts, alrededor de 1924. Conocido sobre todo por sus murales panorámicos, el artista dotaba sus composiciones de tal fuerza que un crítico llegó a describirlo como “el más […] vigoroso y viril de nuestros pintores”. A Benton también le interesaba
la cultura del cine de Hollywood, y su torso desnudo en esta obra podría ser una alusión al papel de Douglas Fairbanks Sr. en El ladrón de Bagdad (1924).
Provenance
The artist; stolen from his garage sometime in 1939. Mr. and Mrs. Jack H. Mooney, Montgomery, Alabama; gift 1975 to NPG
Credit Line
National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Jack H. Mooney
c. 1924
Object number
NPG.75.30
Restrictions & Rights
Usage conditions apply
Type
Painting
Medium
Oil on canvas
Dimensions
Stretcher: 124.5 x 100 x 2.5cm (49 x 39 3/8 x 1")
Frame: 146.1 x 121 x 7cm (57 1/2 x 47 5/8 x 2 3/4")
See more items in
National Portrait Gallery Collection
Location
Currently not on view
National Portrait Gallery
Topic
Home Furnishings\Furniture\Table
Exterior\Landscape\Coastal\Beach
Home Furnishings\Furniture\Seating\Bench
Nature & Environment\Rock
Self-portrait
Costume\Jewelry\Watch\Wrist watch
Nature & Environment\Plant\Seaweed
Rita Piacenza Benton: Arts and Culture\Visual Arts\Artist
Rita Piacenza Benton: Female
Thomas Hart Benton: Male
Thomas Hart Benton: Arts and Culture\Visual Arts\Artist\Painter
Thomas Hart Benton: Arts and Culture\Visual Arts\Art instructor
Thomas Hart Benton: Arts and Culture\Visual Arts\Artist\Painter\Muralist
Portrait
Record ID
npg_NPG.75.30
Metadata Usage (text)
Not determined
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm47261ce1f-fe80-4709-84e0-ef9b7a854d5f

Related Content

  • 1924: A Year in the Collections

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IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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