Reliquary guardian figure
Object Details
- Kota artist
- Label Text
- The Kota peoples in Gabon preserved and revered the relics of important ancestral leaders in the belief that their extraordinary powers survived mortal death. The relics, customarily the skull and certain other bones, were kept in woven baskets with powerful substances. Sculpted wood figures overlaid with metal were positioned on or tied to the reliquary to serve as its guardian. The creation of reliquary guardian figures ceased around 1930 as a result of aggressive proselytizing by Christian missionaries, the imposition of a new social organization centered on the Western-style nuclear family and indigenous movements aimed at destroying certain local religious practices. Consequently, many of these sculptures were burned or buried. In the early 20th century, European artists, most notably Picasso, were influenced by the formal stylistic qualities of the Kota figures. This particular figure was once owned by the English artist Jacob Epstein.
- Description
- Stylized wood figure with brass and copper sheeting open lozenge body, oval head, semicircular top and curved panels with pendants on sides of face. Metal is smooth sheets on side panels and top, and face has a smooth cross and quadrants with lines.
- Provenance
- Jacob Epstein, London, 1930-1961
- Samuel Rubin, New York, -- to 1978
- Exhibition History
- Africa Gallery, Dayton Art Institute, January 18, 2003-January 20, 2006
- Celebration: A World of Art and Ritual, Renwick Gallery, Washington D.C., March 17, 1982-July 10, 1983
- Life...Afterlife: African Funerary Sculpture, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 1981-March 1, 1982
- Published References
- Bassani, Ezio and Malcolm D. McLeod. 1989. Jacob Epstein, Collector. Milan: Associazione Poro, p. 113, no. 273.
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Credit Line
- Gift of Samuel Rubin
- Early 20th century
- Object number
- 78-14-12
- Restrictions & Rights
- Usage conditions apply
- Type
- Figure
- Medium
- Wood, brass, copper
- Dimensions
- H x W x D: 56.8 x 32 x 6.5 cm (22 3/8 x 12 5/8 x 2 9/16 in.)
- Geography
- Gabon
- See more items in
- National Museum of African Art Collection
- Object Name
- ngulu
- National Museum of African Art
- Topic
- Funerary
- male
- Record ID
- nmafa_78-14-12
- Metadata Usage (text)
- Usage conditions apply
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys7152e7f35-636e-408e-80ff-11bd73dc4568
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.