Meissen tea caddy

Object Details

Meissen Manufactory

Description

TITLE: Meissen tea caddy

MAKER: Meissen Manufactory

PHYSICAL DESCRIPTION: ceramic, porcelain (overall material)

MEASUREMENTS: H. 3½" 8.9cm

OBJECT NAME: Tea caddy

PLACE MADE: Meissen, Saxony, Germany

DATE MADE: 1735

SUBJECT: Art

Domestic Furnishing

Industry and Manufacturing

CREDIT LINE: Hans C. Syz Collection

ID NUMBER: 1983.0565.15

COLLECTOR/ DONOR: 1309

ACCESSION NUMBER:

(DATA SOURCE: National Museum of American History, Kenneth E. Behring Center)

MARKS: Crossed swords in underglaze blue; incised five-pointed star (former’s mark?).

PURCHASED FROM:

This tea caddy is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.

The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in the German States, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.

This tea caddy, painted in the Japanese Kakiemon style, has rice straw fences behind which grow mixed flowers of chrysanthemum, orchid and camelia. The cover is missing.

Rice straw fences occur frequently in the enamel painted porcelains from Arita that were exported to Europe, and the motif is a Japanese one introduced to paintings of the Momoyama period (1573-1615) after Chinese works that feature brushwood and bamboo fences. This ancient method of fencing still in use today takes available brushwoods or grain bundles and binds the material to horizontal lengths of bamboo, a type of fencing favored in the Japanese tea garden where the fence supports or contains flowering plants and vines and provides privacy.

Kakiemon is the name given to very white (nigoshida meaning milky-white) finely potted Japanese porcelain made in the Nangawara Valley near the town of Arita in the North-West of the island of Kyushu. The porcelain bears a characteristic style of enamel painting using a palette of translucent colors painted with refined assymetric designs attributed to a family of painters with the name Kakiemon. In the 1650s, when Chinese porcelain was in short supply due to civil unrest following the fall of the Ming Dynasty to the Manchu in 1644, Arita porcelain was at first exported to Europe through the Dutch East India Company’s base on Deshima (or Dejima) in the Bay of Nagasaki. The Japanese traded Arita porcelain only with Chinese, Korean, and Dutch merchants through the island of Deshima and the Chinese resold Japanese porcelain to the Dutch in Batavia (present day Jakarta), to the English and French at the port of Canton (present day Guangzhou) and Amoy (present day Xiamen). Augustus II, Elector of Saxony and King of Poland, obtained Japanese porcelain through his agents operating in Amsterdam who purchased items from Dutch merchants, and from a Dutch dealer in Dresden, Elizabeth Bassetouche.

Tea, coffee, chocolate, and sugar were luxury products for early eighteenth-century consumers, and the equipage for these hot beverages, made in silver and the new ceramic materials like Meissen’s red stoneware and porcelain, was affordable only to the nobility and the entrepreneurial elite of European society. When tea became more affordable items like tea caddies were made in cheaper materials like wood and tin.

On the Kakiemon style see Ayers, J., Impey, O., Mallet, J.V.G., 1990, Porcelain for Palaces: the fashion for Japan in Europe 1650-1750; see also Impey, O., Jörg, J. A., Mason, C., 2009, Dragons, Tigers and Bamboo: Japanese Porcelain and its Impact in Europe, the Macdonald Collection

On tea and coffee drinking see Weinberg, B.A., Bealer, B.K., 2002, The World of Caffeine: The Science and Culture of the World’s Most Popular Drug

Jefferson Miller II, J., Rückert, R., Syz, H., 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 160-161.

Location

Currently not on view

ca 1735

1735

ID Number

1983.0565.15

accession number

1983.0565

catalog number

1983.0565.15

collector/donor number

1309

Object Name

caddy, tea

Physical Description

hard-paste porcelain (overall material)

polychrome enamels and gold (overall color)

Kakiemon (overall style)

Measurements

overall: 3 1/2 in; 8.89 cm

overall: 3 1/2 in x 3 1/4 in; 8.89 cm x 8.255 cm

place made

Germany: Saxony, Meissen

See more items in

Home and Community Life: Ceramics and Glass

The Hans C. Syz Collection

Meissen Porcelain: The Hans Syz Collection

Art

Domestic Furnishings

National Museum of American History

Subject

Manufacturing

Record ID

nmah_1405969

Metadata Usage (text)

CC0

GUID (Link to Original Record)

https://n2t.net/ark:/65665/ng49ca746ad-6f62-704b-e053-15f76fa0b4fa