Object Details
- Tunde Odunlade, born 1954, Nigeria
- Series
- Limited Edition Variable Artist's Proof
- Label Text
- The first half of the twentieth century gave rise to widespread experimentation with new media by Africa’s artists. Many of Nigeria’s artists, for example, explored new techniques, including oil painting and printmaking. As elsewhere on the continent, some of these artists received training at local and international art schools, while others were taught in community workshops offered by expatriate artists.
- Modern African artwork addressed a range of subject matter, from political concerns of the day to depictions of a rapidly transforming landscape due to social and environmental changes.
- A major artistic transformation occurred in Oshogbo, a Yoruba town in western Nigeria, in the early 1960s. Expatriates Susanne Wenger, Ulli Beier and Georgina Beier introduced new techniques and materials to Yoruba artists and urged them to find their own forms of expression. The workshops focused on printmaking but were intended to help participants learn to support themselves as artists.
- Tunde Odunlade is a second-generation artist of the Oshogbo school. Like many of his peers, he practices in a diverse set of mediums such as painting, batik, print-making, hand-made paper and fiber work. Though he is most known for his intricate and highly-textured batiks that reflect upon Yoruba traditional adire cloth dying, his print-making, as seen here, reflects similar multi-layered aesthetics of Yoruba art and culture, drawing on modern and traditional daily life in Nigeria.
- This 2012 limited edition print, Mass Mobilization, is from the Decades of Printmaking series, hand-picked by the artist over a four decade span of artistic creativity.
- Description
- One of seven (7) hand-colored prints of varying sizes from the artist’s Decades of Printmaking series, this print features multiple textures within different geometric shapes on a black background.
- Provenance
- Tunde Odunlade, 2012
- Michael Imbimbo, San Antonio, 2012
- Published References
- Odunlade, Tunde. 2012. Four Decades of Printmaking. Exhibition brochure. San Antonio: Stone Metal Press.
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Credit Line
- Gift of Michael Imbimbo, Inc.
- 2012
- Object number
- 2012-12-1
- Restrictions & Rights
- Usage conditions apply
- Copyright
- © 2012 Tunde Odunlade
- Type
- Medium
- Linocut on paper
- Dimensions
- Sheet: 55.5 x 38 cm (21 7/8 x 14 15/16 in.)
- Image: 45.1 x 29.8 cm (17 3/4 x 11 3/4 in.)
- Geography
- Nigeria
- See more items in
- National Museum of African Art Collection
- National Museum of African Art
- Topic
- geometric motif
- Record ID
- nmafa_2012-12-1
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys7d07e5651-3376-405a-9799-94cb0f74b698
