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Manilla

National Museum of African Art

Object Details

Igbo artist
Label Text
Manillas were open bracelets cast from copper or brass; in later years they were composed of a mixture of other metals. Produced in various sizes and weights, they were circulated widely, especially along the West African equatorial coast, from the late 15th to the early 20th century. Coiled manillas like this one were cast in Birmingham, England, and traded as currency in West Africa. Three types of manillas exist. The smaller standard size was often amassed and then taken to a blacksmith, who melted and reformed it into the larger size. The other two types are the so-called queen manillas, and the larger specimens, or king manillas, which were considered stored wealth. Some manillas were decorated with incised designs or a second coil of metal twisted around the shank. The quality of the ringing sound and the amount of "flash," or excess metal, extruded at the joints of the mold helped to determine their value. Metalsmiths from the kingdom of Benin, part of present-day Nigeria, melted down imported manillas and recast the metal into works of art.
By 1911 manillas ceased to be legal tender. In compliance with the "Manilla Currency Ordinance" of 1919, foreign traders were prohibited from using them for trade with the local people. Despite these measures, manillas continued to be used side by side with the new money introduced by the West African Currency Board. During the 1940s and 1950s, an extensive campaign was activated to redeem all manillas still in circulation. However, some are still found in private households to this day.
Description
Four-coiled manilla with ends flared out into round shapes.
Provenance
African trader, New York, -- to 1997
Jean and Noble Endicott, New York, 1997 to 2000
Exhibition History
The Art of African Currency, International Monetary Fund, Washington, D.C., April 4-November 22, 2002
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Drs. Jean and Noble Endicott
Late 19th-early 20th century
Object number
2000-28-5
Restrictions & Rights
Usage conditions apply
Type
Sculpture
Medium
Copper alloy
Dimensions
H x W x D: 7.8 x 14.7 x 9.2 cm (3 1/16 x 5 13/16 x 3 5/8 in.)
Geography
Nigeria
See more items in
National Museum of African Art Collection
National Museum of African Art
Topic
male
Trade
Currency
Record ID
nmafa_2000-28-5
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys77599fc8e-52e4-467c-9df9-07be0d67d68a
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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