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Factory printed cloth

National Museum of African Art

Object Details

Undetermined artist
Label Text
Factory print cloth may be manufactured in Europe or Asia for the African market or be made in an African factory and sold anywhere. Generally identified with bright colors and bold designs, it assumes a local name and symbolic meaning. One reason for success of factory printed cloth is the widespread practice of dressing alike for special events--weddings, funerals, anniversaries and especially for political events. Another is the quantity of cloth needed to make an outfit. Factory printed cloth is typically sold in 6 yard lots to women for a skirt and top, plus a shawl or head tie. It may be kept uncut as stored wealth.
The 1920s-1930s saw the introduction of Fancy cloth, large plain blocks of color with photographic imagery. Popular during colonial times, this technique became particularly important with independence. An official visit by Queen Elizabeth II was planned to the colony of Sierra Leone in 1959 as part of her tour of the Commonwealth. The trip was cancelled due to her pregnancy and several commemorative cloth designs already in the shops languished on shelves. The trip, with Prince Philip, finally occured in 1961, the year of Sierra Leone's independence. This cloth combines images of flags, crowns, the Queen and Government House in Freetown.
Description
Dark blue and white factory printed cloth with a repeating pattern featuring a central 3/4 portrait of Queen Elizabeth II in wreath medallions. Banners reading "1959 SIERRA LEONE 1959" appear above and banners reading "QUEEN ELIZABETH II" appear below. The top border features crowns, shields and flags, while the bottom border features an image of the Sierra Leone Governement House and is labeled "GOVERNMENT HOUSE FREETOWN." Repeat is 40.6 cm (16 in.).
Provenance
Lilburn Theurer Senn, Clemson, South Carolina, acquired in Sierra Leone, 1959 to 2002
Exhibition History
Festival of African American Literature and the Arts, The Brooks Center, Clemson University, South Carolina, September 17-21, 2001
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Donald A. Theuer and Lilburne Theuer Senn
1959
Object number
2002-9-4
Restrictions & Rights
Usage conditions apply
Type
Textile and Fiber Arts
Medium
Cotton, dye
Dimensions
H x W: 120.5 x 93.5 cm (47 7/16 x 36 13/16 in.)
Geography
Sierra Leone
See more items in
National Museum of African Art Collection
National Museum of African Art
Topic
Commemorative
foreigner
Writing
male
Record ID
nmafa_2002-9-4
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7f0638296-d7bf-4e34-905e-7d2edf541106

Related Content

  • Queen Elizabeth II

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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