Crucifix
Object Details
- Kongo artist
- Label Text
- The Portuguese arrived along the coast of the Kongo Kingdom in 1483. The missionaries who accompanied these early navigators established a Christian presence that existed until the mid-18th century. Kongo people absorbed some Christian rites and materials into their own practices. Crucifixes made by local casters were derived from early Portuguese prototypes, but Kongo chiefs used them as power tokens without a Christian interpretation.
- Description
- Crucifix with a figure of Christ in a loin cloth. Two figures with clasped hands sit atop the crosspiece of the cross. One figure kneels below Christ's crossed feet. A band of incised cross-hatching borders the edge of the cross.
- Provenance
- Merton Simpson, New York, -- before 1988
- Pat Dierickx, Brussels, 1988
- Ernst Anspach, New York, 1988 to 1991
- Exhibition History
- Pavilion: A New Look, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 9, 2019–ongoing
- Conversations: African and African American Artworks in Dialogue - From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr., National Museum of African Art, Smithsonian Institution, November 7, 2014-January 24, 2016
- The Earth Moves-We Follow: Celebrating African Art, Frank H. McClung Museum, Knoxville, January 10-May 18, 2003
- The Sacred Arts of Haitian Vodou, Fowler Museum of Cultural History, University of California, Los Angeles, October 22-July 16, 1996; Field Museum of Natural History, Chicago, February 1-August 3, 1997; Museum of African American History, Detroit, October 8-December 27, 1997; New Orleans Museum of Art, February 1-April 12, 1998; Baltimore Museum of Art, June 7-August 23, 1998; American Museum of Natural History, New York, October 9, 1998-January 3, 1999
- Published References
- Cosentino, Donald J. (ed). 1995. Sacred Arts of Haitian Vodou. Los Angeles: Fowler Museum of cultural History, University of California, p. 31, no. 1.8.
- Dewey, William J. 2003. The World Moves, We Follow: Celebrating African Art. Knoxville: Frank H. McClung Museum, The University of Tennessee, p. 49, no. 52.
- Kreamer, Christine Mullen and Adrienne L. Childs (eds). 2014. Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr. Washington, D.C.: National Museum of African Art, Smithsonian Institution, pp. 102, 113, no. 64, pl. 42.
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- Credit Line
- Gift of Ernst Anspach
- Late 17th-early 18th century
- Object number
- 91-10-1
- Restrictions & Rights
- CC0
- Type
- Sculpture
- Medium
- Copper alloy
- Dimensions
- H x W x D: 33.3 x 14.9 x 2.9 cm (13 1/8 x 5 7/8 x 1 1/8 in.)
- Geography
- Kongo Central Province, Democratic Republic of the Congo
- Congo
- See more items in
- National Museum of African Art Collection
- On View
- NMAfA, Pavilion Gallery
- Object Name
- nkangi kiditu
- National Museum of African Art
- Topic
- male
- Record ID
- nmafa_91-10-1
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys76414e567-c7ab-436d-a0d0-588e163b2d87
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