Crucifix

Object Details

Kongo artist

Label Text

Fifteenth-century missionaries and Portuguese emissaries aware of the scepters and staffs used as emblems of power among Kongo rulers introduced crucifixes into this local custom. Kongo artists continued creating images of Christ, which tend to have African features, even after the missionaries departed in the mid-18th century. The cross in Kongo cosmology represents the meeting of this world and the spirit world, which may account for the continued use of the crucifix.

Provenance

Paul and Ruth Tishman, New York

Exhibition History

Visionary: Viewpoints on Africa's Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 4, 2017-ongoing

Conversations: African and African American Artworks in Dialogue - From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr., National Museum of African Art, Smithsonian Institution, November 7, 2014-January 24, 2016

The Walt Disney-Tishman African Art Collection Highlights, National Museum of African Art, Smithsonian Institution, Washington, D.C., May 21, 2009-June 4, 2014

African Vision: The Walt Disney-Tishman African Art Collection, National Museum of African Art, Smithsonian Institution, Washington, D.C., February 15, 2007-March 31, 2009

For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection, Metropolitan Museum of Art, New York, 1981

Sculpture of Black Africa: The Paul Tishman Collection, Los Angeles County Museum of Art, October 16, 1968-January 5, 1969; The High Museum of Art, Atlanta; Virginia Museum of Fine Arts, Richmond, August 31-November 1, 1970; University of Texas College of Fine Arts, Austin; City Art Museum, St. Louis, August 20-October 17, 1971; Des Moines Art Center; Huntington Galleries, Huntington, WV

Published References

Kreamer, Christine Mullen. 2006. "African Vision: The Walt Disney-Tishman African Art Collection." Tribal Arts 43, p. 87, no. 15.

Kreamer, Christine Mullen, Bryna Freyer and Andrea Nicolls. 2007. African Vision: The Walt Disney-Tishman African Art Collection. Washington, D.C.: National Museum of African Art, Smithsonian Institution, pp. 78-79, no. 20.

Kreamer, Christine Mullen and Adrienne L. Childs (eds). 2014. Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr. Washington, D.C.: National Museum of African Art, Smithsonian Institution, pp. xix, 113, no. 7, pl. 43.

Mellor, S. 2007. From Delicious to Not Quite Right: Subtleties in Discerning the Authenticity of African Art. Objects Specialty Group Postprints, Volume 14 CD. Washington, DC: American Institute for Conservation of Historic and Artistic Works, p.15.

Sieber, Roy and Arnold Rubin. 1968. Sculpture of Black Africa: The Paul Tishman Collection. Los Angeles: Los Angeles County Museum of Art, p. 122, no. 132.

Vogel, Susan (ed). 1981. For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection. New York: Metropolitan Museum of Art, pp. 204-205, no. 120.

Content Statement

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Credit Line

Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company

17th century

Object number

2005-6-106

Restrictions & Rights

CC0

Type

Sculpture

Medium

Copper alloy

Dimensions

H x W x D: 21.6 x 17.5 x 3.5 cm (8 1/2 x 6 7/8 x 1 3/8 in.)

Geography

Democratic Republic of the Congo

See more items in

National Museum of African Art Collection

Exhibition

Visionary: Viewpoints on Africa's Arts

On View

NMAfA, Second Level Gallery (2193)

National Museum of African Art

Topic

Leadership

Status

male

Record ID

nmafa_2005-6-106

Metadata Usage (text)

CC0

GUID (Link to Original Record)

http://n2t.net/ark:/65665/ys7d9e6d941-6923-4c5e-9f67-1373fad07b1f