Commemorative head
Object Details
- Akan artist
- Label Text
- This terracotta head commemorated a member of a royal family who lived in what is now south central Ghana. Such sculptures, viewed as substitutes for the deceased, were installed at formal funerals, which took place days or months after the actual burial. Although regarded as portraits, they offer only a stylized resemblance to the departed, with some specific aspects such as hairstyle, a beard or pierced ears.
- Stylistically similar pieces have been found in an archaeological site at Hemang (Twifo-Hemang), in southern Ghana, that was occupied from before 1690 to about 1730. The broad forehead, the semicircular eyebrows, the closed eyes, naturalistic nose and small mouth are characteristic of the Twifo style.
- When a royal personage died, a potter would be commissioned by the family to make a commemorative portrait along with sculptures representing family members, associates and servants. The potter would also be asked to make cooking pots and jars. This group of ceramic objects, produced for a special purpose and used only once, probably was assembled within the village where the funeral services were held. The female head or queen mother of another clan would prepare food in the pots. Then the figures, the food and the hearth would be moved to an area called the "place of pots," a spot outside the village reserved for funerary objects. The male head of the clan would taste the food and the funeral party would return to the village, leaving the food, pots and portraits behind. Research suggests that such funerary practices, in which portrait figures played an important part, existed as early as the 17th century and lasted well into the 20th.
- Description
- Low fired ceramic head with small clusters of hair, a triangular hole in the back and an abraded area on its proper left cheek.
- Provenance
- Samuel (Samir) Borro, Côte d'Ivoire, 1974
- Emile M. Deletaille, Brussels, 1974 to 1985
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Credit Line
- Museum purchase
- Late 17th-early 18th century
- Object number
- 85-1-4
- Restrictions & Rights
- CC0
- Type
- Sculpture
- Medium
- Ceramic
- Dimensions
- H x W x D: 23 x 10.4 x 11.2 cm (9 1/16 x 4 1/8 x 4 7/16 in.)
- Geography
- Twifo-Hemang region, Ghana
- See more items in
- National Museum of African Art Collection
- National Museum of African Art
- Topic
- Funerary
- Commemorative
- male
- Record ID
- nmafa_85-1-4
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ys75e3141ae-e196-4316-ba84-12ec87d3a1f9
Related Content
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.