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Bracelet

National Museum of African Art

Object Details

Unidentified artist
Label Text
In recent years, the practice of commissioning gold jewelry has declined. Instead, women opt to rent or borrow jewelry from family members to minimize cost. Rather than succumbing to the high costs of living in a city like Dakar, women have created opportunities for lavish display—while concealing the difficulties of pulling off such sartorial excellence in the midst of financial instability.
Importing gold jewelry is also a flourishing business, and women are at the forefront of such practices. Many purchases are brought back for resale, while others inspire newly made creations, several examples of which are on display here. Whether on pilgrimage to Mecca, or jetting to various cities in Europe and the Middle East to buy gold, cosmetics, and fashionable shoes, enterprising women continue to capitalize on an enduring legacy of feminine business savvy.
Description
Gold-plated silver alloy two-piece hinged filigree bracelet cuff of central quatrefoil decorated in openwork filigree, central filigree flower and plain gold projections. The rest of the band is decorated in openwork filigree swirls in three sections. Push button latch closure.
Provenance
Marian Johnson, purchased in Dakar, Senegal, 1963-late 20th century to 2012
Exhibition History
Good As Gold: Fashioning Senegalese Women, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 24, 2018-February 2, 2020; North Carolina Museum of Art, Raleigh, September 16, 2020-January 3, 2021
Published References
Maples, Amanda, Ashby Johnson, Marian, and Dumouchelle, Kevin D., 2018, Good As Gold, Washington, D.C.: NMAfA, Smithsonian, p. 21, illustrated p. 23
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Dr. Marian Ashby Johnson
Late 20th century-early 2000s
Object number
2012-18-182
Restrictions & Rights
Usage conditions apply
Type
Jewelry
Medium
Gold-plated silver alloy
Dimensions
H x W x D: 6.6 x 6.6 x 1.1 cm (2 5/8 x 2 5/8 x 7/16 in.)
Geography
Senegal
See more items in
National Museum of African Art Collection
Object Name
Bracelet de Dragon
Loi de Lamine
National Museum of African Art
Topic
Adornment
Female use
male
floral
flower
Record ID
nmafa_2012-18-182
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7708fcd4d-324c-4b6e-ae12-a2425833be02

Related Content

  • Gold Treasures of Nature, History, and Craft

  • Good as Gold

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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