Skip to main content

Search

My Visit
Donate
Home Smithsonian Institution

Site Navigation

  • Visit
    • Museums and Zoo
    • Entry and Guidelines
    • Maps and Brochures
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
      • Group Sales
  • What's On
    • Exhibitions
      • Current
      • Upcoming
      • Past
    • Online Events
    • All Events
    • IMAX & Planetarium
  • Explore
    • - Art & Design
    • - History & Culture
    • - Science & Nature
    • Collections
      • Open Access
    • Research Resources
      • Libraries
      • Archives
        • Smithsonian Institution Archives
        • Air and Space Museum
        • Anacostia Community Museum
        • American Art Museum
        • Archives of American Art
        • Archives of American Gardens
        • American History Museum
        • American Indian Museum
        • Asian Art Museum Archives
        • Eliot Elisofon Photographic Archives, African Art
        • Hirshhorn Archive
        • National Anthropological Archives
        • National Portrait Gallery
        • Ralph Rinzler Archives, Folklife
        • Libraries' Special Collections
    • Podcasts
    • Stories
  • Learn
    • For Caregivers
    • For Educators
      • Art & Design Resources
      • Science & Nature Resources
      • Social Studies & Civics Resources
      • Professional Development
      • Events for Educators
      • Field Trips
    • For Students
    • For Academics
    • For Lifelong Learners
  • Support Us
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
      • Smithsonian Call Center
      • Ambassador Program
      • Museum Information Desk
      • Docent Programs
      • Behind-the-Scenes
      • Digital Volunteers
      • Participatory Science
  • About
    • Our Organization
      • Board of Regents
        • Members
        • Committees
        • Reading Room
        • Bylaws, Policies and Procedures
        • Schedules and Agendas
        • Meeting Minutes
        • Actions
        • Webcasts
        • Contact
      • Museums and Zoo
      • Research Centers
      • Cultural Centers
      • Education Centers
      • General Counsel
        • Legal History
        • Internships
        • Records Requests
          • Reading Room
        • Tort Claim
        • Subpoenas & Testimonies
        • Events
      • Office of Human Resources
        • Employee Benefits
        • How to Apply
        • Job Opportunities
        • Job Seekers with Disabilities
        • Frequently Asked Questions
        • SI Civil Program
        • Contact Us
      • Office of Equal Opportunity
        • EEO Complaint Process
        • Individuals with Disabilities
        • Small Business Program
          • Doing Business with Us
          • Contracting Opportunities
          • Additional Resources
        • Special Emphasis Program
      • Sponsored Projects
        • Policies
          • Combating Trafficking in Persons
          • Animal Care and Use
          • Human Research
        • Reports
        • Internships
    • Our Leadership
    • Reports and Plans
      • Annual Reports
      • Metrics Dashboard
        • Dashboard Home
        • Virtual Smithsonian
        • Public Engagement
        • National Collections
        • Research
        • People & Operations
      • Strategic Plan
    • Newsdesk
      • News Releases
      • Media Contacts
      • Photos and Video
      • Media Kits
      • Fact Sheets
      • Visitor Stats
      • Secretary and Admin Bios
      • Filming Requests

Bracelet

National Museum of African Art

Object Details

Yoruba artist
Label Text
The artist's technical virtuosity is evident in this extraordinary armlet carved from one piece of ivory. The motifs on the outer interlocking piece include kneeling hunchbacks holding tethered creatures. Hunchbacks are regarded as touched by the god Obatala who shapes the human form in the womb. White is the symbolic color of Obatala and may tie in with the use of ivory for this bracelet. The theme of ritual offerings is suggested by the disembodied heads within the interlocking circles of crocodiles biting the heads and tails of mudfish and by the tethered creatures. These creatures have been described as monkeys however they resemble Ofoe, the messenger of the god of death in the Benin Kingdom, who has no body only a head and arms and legs.
Description
Ivory bracelet with entire surface carved with human-like figures, heads and animals in high relief on a background of fine lattice rectangular panels. Ivory bead-like additions hang from the carved rings to the side and to each end.
Provenance
Harry G. Beasley (1882-1939), Cranmore Ethnographical Museum, Chislehurst, Kent, England, -- to 1975
Paul and Ruth Tishman, New York, 1975 to 1984
Exhibition History
Visionary: Viewpoints on Africa's Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 4, 2017-ongoing
The Walt Disney-Tishman African Art Collection Highlights, National Museum of African Art, Smithsonian Institution, Washington, D.C., May 21, 2009-June 4, 2014
African Vision: The Walt Disney-Tishman African Art Collection, National Museum of African Art, Smithsonian Institution, Washington, D.C., February 15, 2007-March 31, 2009
First Look: The Walt Disney-Tishman Collection of African Art, National Museum of African Art, Smithsonian Institution, Washington, D.C., May 17-December 3, 2006
Art of the Personal Object, National Museum of African Art, Smithsonian Institution, Washington, D.C., September 24, 1991-April 9, 2007
African Ivories. Metropolitan Museum of Art, New York, June 26, 1984-December 30, 1984
For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection, Metropolitan Museum of Art, New York, 1981
Published References
Akpata, Chief Akitola. 1938. "Benin: Letters to the Editor, no. 1." Ethnologie Cranmorensis 2, p. 23, no. 12.
Hornbeck, Stephanie. 2016. "Ivory: I dentification and Regulation of a Precious Material." National Museum of African Art Conservation Lab publication. p.1,4.
Eicher, Joanne B. and Doran H. Ross. 2010. Encyclopedia of World Dress and Fashion: Africa (vol. 1). Oxford University Press, p. 97.
Eyo, Ekpo. 2008. From Shrines to Shocases: Masterpieces of Nigerian Art. Abuja, Nigeria: The Ministry of Information and Communicaton, pp. 108-109, no. 63.
Ezra, Kate. 1984. African Ivories. New York: The Metropolitan Museum of Art, p. 22, fig. 18-19, cat. no.24.
Graves Son & Pilcher. 1975. The Collection of Tibetan ritual art, Oceanic, Haida, Eskimo, Benin, Maori and Asian artifacts formally at the Cranmore Ethnographical Museum, Chislehurst, Kent, formed by the late Harry G. Beasley, 1882-1939 ... 3rd March 1975. Palmeira Auction Room, Hove. Brighton: Dolphin Press, lot 216.
Patton, Sharon F. 2005. "Disney-Tishman: Gift to the Smithsonian Institution." Tribal Art X:2 (39), p. 63, no. 3.
Patton, Sharon F. and Bryna Freyer. 2008. Treasures 2008. Washington D.C.: National Museum of African Art, Smithsonian Institution, pp. 40-41.
Robbins, Warren and Nancy I. Nooter. 1989. African Art in American Collections. Washington, D.C.: Smithsonian Institution Press, p. 228, no. 584.
Ross, Doran (ed). 1992. Elephant: The Animal and Its Ivory in African Culture. Los Angeles: Fowler Museum of Cultural History, University of California, p. 201, no. 9-18A, B.
Vogel, Susan (ed). 1981. For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection. New York: Metropolitan Museum of Art, pp. 128-130, no. 72.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
16th century
Object number
2005-6-8
Restrictions & Rights
CC0
Type
Jewelry
Medium
Ivory
Dimensions
H x W x D: 14.5 x 10.5 x 10.5 cm (5 11/16 x 4 1/8 x 4 1/8 in.)
Geography
Owo, Nigeria
See more items in
National Museum of African Art Collection
Exhibition
Visionary: Viewpoints on Africa's Arts
On View
NMAfA, Second Level Gallery (2193)
NMAfA, South Gallery (1141)
National Museum of African Art
Topic
crocodile
Leadership
mudfish
male
Record ID
nmafa_2005-6-8
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7f3d71a21-f50a-46c6-abcc-d4475f4c454c
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Footer logo

Link to homepage

Footer navigation

  • Contact Us
  • Job Opportunities
  • Get Involved
  • Inspector General
  • Records Requests
  • Accessibility
  • EEO & Small Business
  • Shop Online
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use

Social media links

  • Facebook
  • Instagram
  • YouTube
  • LinkedIn

Get the latest news from the Smithsonian

Sign up for Smithsonian e-news

Get the latest news from the Smithsonian

Email powered by BlackBaud (Privacy Policy, Terms of Use)
CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.
Back to Top