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Constance Stuart Larrabee Collection

National Museum of African Art

Object Details

Photographer
Larrabee, Constance Stuart
Place
Botswana
Lesotho
South Africa
Swaziland
Africa
Topic
Lobedu (African people)
Provenance
Donated by Constance Stuart Larabee in 1986 and 1998.
Photographer
Larrabee, Constance Stuart
Culture
Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)
See more items in
Constance Stuart Larrabee Collection
Sponsor
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
Summary
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Biographical/Historical note
Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).
Extent
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Date
1900-1997
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1998-006
Type
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Citation
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Arrangement
Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997
Processing Information
Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Scope and Contents
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
Constance Stuart Larrabee collection (COR0011-MS)
Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
Related link
Record ID
ebl-1539205658568-1539205662716-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

In the Collection

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  • Article entitled "South Africa and the Peace", in Libertas, Vol. 6, No. 10, p. 44.

  • Notes by Constance Stuart Larrabee with negative numbers.

  • Poems/songs from a Bushman girl in the Kalahari.

  • Newspaper clipping of photograph of Constance Stuart (by her studio) with caption about her photographic exhibit of studies of natives.

  • Magazine clipping concerning the commemorative planting of a vine-shoot by fruit and wine industry members.

  • Letter on UCLA stationery to Miss. Luskey from John Povey, Editor of African Arts magazine, about her South Africa photography show.

  • Decal: "Member of the Professional Photographers Association" in English and Afrikaans, in black and gold script.

  • Announcement: Athenaeum. Society for the Promotion of International Cultural Relations ... Constance Stuart will speak on Camera Men at Work... Pretoria Technical College ...

  • Newspaper clippings from The Star: "A view in a hundred thousand (rands)": regarding Pretoria's latest expensive property development offering a view of Union Buildings. "Help wanted with book": notice, put in by authors of book on WWII Allied campaign in Italy, asking to be contacted by men who served in either the 5th or 8th Armies.

  • Blank postcard: Statendam ferry boat, Holland-America Line.

  • Newspaper clipping entitled "What the Well-Dressed Woman Wears," stating that Constance Stuart said that fashion photography is at its peak.

  • Blank postcard by Pan American Airlines: "Pan American's Boeing 707-321B Super Intercontinental Jet Clipper" flying over snow-capped mountains.

  • "A Journey in Image and Prose." Excerpt from exhibition catalogue about collaboration between Alan Paton and Constance Stuart Larrabee.

  • Twelve 2 ¼ negatives: images of Richard Cutler, and other unidentified people, Johannesburg. Negatives 9 and 12 damaged by dog chewing. Moved to another folder.

  • Piece of cardboard reading "1835 Year of the Great Trek."

  • Article entitled "Salute to the 6th Division", in Libertas, Vol. 5, No. 4, pp. 51-52.

  • Newspaper clipping entitled "Photographic Exhibition," featuring "forty highly interesting photographs" by Constance Stuart; one features her uncle, Commodore C. Stuart of the "Sterling Castle," as well as others taken in London and Munich. The article mentions that another Constance Stuart exhibition is on view in Munich.

  • Review entitled "Malay Spotlight." Highlights Constance Stuart Larrabee's Malay Quarter photographs exhibited at the Argus Gallery.

  • Postcard addressed to Constance Stuart in Cornwall England, from V. Giorgi, Leopoldstrasse 127, Munich. Postmarked "9.4.36" in Munich.

  • Essay by Constance Stuart Larrabee entitled "Photography as an Art."

  • Photocopy of magazine article entitled "Cape of Flowers."

  • Letter to Ms. Small (of Charles Scribner's Sons) from Lee Williams at the National Museum of African Art, asking permission to use excerpts of Alan Paton's Cry, the Beloved Country in a Constance Stuart Larrabee exhibition entitled 'Seek What is True."

  • Photocopies of contact sheets.

  • Sotho Child

  • Article entitled "Cancer has Silenced His Voice- But Alan Paton's Words Live On", in the Sunday Times.

  • Letter to Constance Stuart Larrabee from Howard Chapnick at Black Star about receiving her prints, searching for "a placement with the photographic magazine," and trying "to generate some sales" of "the jumping dog prints."

  • Newspaper clipping of review of nonfiction book Testament to the Bushmen, with picture of Bushmen "carrying home the day's kill."

  • "Ndebele Images." Exhibition catalogue by Natalie Knight and Suzanne Priebatsch.

  • Handwritten notes by Constance Stuart Larrabee.

  • "Out of South Africa comes a strong film", in The Sun. Review of Cry, the Beloved Country.

  • Blank postcard by Pan American Airlines: Place de la Concorde, Paris (at night).

  • Vintage Photo by Constance Stuart Larrabee: Couple kissing. Moved to another folder.

  • Clipping entitled "Good Neighbours of South Africa," in Sunday News, pp. 2-4, with Constance Stuart Larrabee's Nagmaal pictures.

  • Photograph: large portrait of Constance Stuart Larrabee in short-sleeved blouse and school tie. silvertone print crease in upper right-hand corner Removed to vintage print box.

  • List of works by Alexis Preller.

  • Envelope from Modernage Photographic Services.

  • Program of "Memorial Celebration for Alan Paton." Includes two photos of Alan Paton taken by Constance Stuart Larrabee.

  • Photograph: Constance Stuart, wearing a blouse with a box at the next, with a camera on a strap around her neck. Removed to vintage print box.

  • Libertas magazine, Vol. 5, No. 3, with feature by Constance Stuart entitled "Men of the 6th Div.," pp. 43-45, cont. pp.65-79. Includes photographs of South African soldiers in the snow in the Apennine mountains.

  • Note ("Dear Traveler…") from the South African Tourist Board.

  • Index card listing Constance Stuart Larrabee photos given to Alan Paton.

  • Captions: "The Voortrekker Monument."

  • Guidebook: Art in South Africa.

  • Letter to Professor Paton from Constance Stuart Larrabee, about publishing a book of photos accompanied by excerpts of Cry, the Beloved Country.

  • Newspaper clipping entitled "Busy Days for George," mentioning that Constance Stuart took Mr. and Mrs. George Formby some miles from Pretoria to show the Formbys native life.

  • Vintage print: two Bushmen with a man on camel. Moved to another folder.

  • Newspaper clipping entitled "Paton 'Serious' After Op failure."

  • Book cover featuring a photo by Constance Stuart Larrabee: The Rise and Fall of the South African Peasantry

  • Captions from Constance Stuart Larrabee: "The Lion Killers of Bechuanaland."

  • Leaflet entitled "A History of Boschendal", regarding an old homestead.

  • Description of PROTEAS flowers on Constance Stuart Larrabee Photography stationery from her studios in Pretoria and Johannesburg.

  • Empty envelope reading "1 Set Slides 'Seek What is True.'"

  • Sticky notes.

  • Article entitled "I'm no frustrated artist!", in South African Digest, regarding Esmé Berman.

  • Captions from Constance Stuart Larrabee for Nagmaal photos.

  • Article entitled "Gold Adds to Glitter on 'Blue Train'", in The Washington Post, regarding the Blue Train service in South Africa.

  • Letter (typed) to Constance Stuart Larrabee from Ms. Smit, Editor-in-Chief of D.R. Church Publishers. Ms. Smit asks if Constance Stuart Larrabee objects to the inclusion of other 19th century illustrations of Nagmaal and requests from Constance Stuart Larrabee a possible set of proofs for the project with Professor Bun Booyens.

  • Letter (typed) to Constance Stuart Larrabee from "Deni" in Cape Town, thanking her for negatives of "The Tempest," which she enlarged and which are in the National Gallery.

  • Postcards, sent from Constance Stuart Larrabee in Athens, Delphi, and Pretoria to Mr. Larrabee

  • Newspaper clipping entitled "The Arts in Pretoria" by A.G.S., discussing an exhibition of portraits by Constance Stuart and Yolande Friend.

  • Pages 61 and 62 of Liber Puellarum: a letter from Constance Stuart to "Miss Hawkins."

  • Letter to Constance Stuart Larrabee from Alexis Preller.

  • Letter (typed) to Constance Stuart Larrabee from Ms. Smit acknowledging publication of the Nagmaal book.

  • Newspaper clipping: Pictures of Mrs. Alan Stuart and her daughter Constance, "who are leaving for England where Miss Stuart will study photography."

  • Photograph, on cardboard, of three women standing on stairs together. Photograph is signed "Bubbles" on bottom left, with handwritten caption on the back reading "Henry (in the middle) went to school with May Cambridge. Hewlett (outside) knows Beverley Nichols. Stuart of course is S.A.'s greatest war portraitist!! We were all at the ___ (word illegible) & Kodaks together." Moved to another folder.

  • "Colonial Annual Reports; Bechuanaland Protectorate."

  • Newspaper clipping of pictures of Swaziland Peoples, showing contrast between modern and traditional.

  • Article entitled "Sun Coast", in Property Argus., regarding Cape Town real estate.

  • Newspaper article entitled "I Must Confess That I Am Very Proud.", by chief minister of KwaZulu and chairman of South African Black Alliance, discussing pride of Zulu people.

  • Newspaper clipping entitled "South Africans Abroad: Some Reflections On England," from London on March 31, mentioning that Constance Stuart "is learning to be a photographer, or perhaps it would be truer to say that she is already quite an accomplished one ..."

  • Booklets with various speeches: "Political and economic change in South Africa," "Influx control and economic growth," "Light on a Dark Continent," "Apartheid Under Pressure."

  • Catalogues: River Press

  • South Africa: Nagmaal

  • Magazine clipping: "A powerful blast ripped through the Ciskei consulate in Johannesburg on Friday night…Only one person was injured… A Pretoria inquest court has found that two Mamelodi (Pretoria) men, acting on orders from the banned African National Congress, planted the bomb which killed 19 people in Pretoria in May…" South African Press Association.

  • Brochure for "The Alan Paton Centre."

  • Exhibition brochure for Constance Stuart Larrabee's photographs at the University of Stellenbosch.

  • Article entitled "Last of the Rain Queens?", in Libertas, regarding Mujaji, "Transformer of the Clouds," with photographs by Constance Stuart Larrabee.

  • Booklet: South Africa in the American Mind- published speech of the Commemoration Day Lecture at the University of the Witwatersrand, Johannesburg, South Africa, October 14, 1981 by Alan Pifer, President of the Carnegie Corporation of New York.

  • Essay entitled "A Letter Home From Constance Stuart Larrabee."

  • Letter (typed) to Mrs. Senior, Director of the Johannesburg At Gallery, from Constance Stuart Larrabee, with attached list of photographs and their respective prices. May I thank you and your staff for the hard work behind the scenes which ensured the success of the first photographic exhibition… I am delighted you may augment your photographic collection with prints from my Retrospective Exhibition…

  • Newspaper clipping: from the Pretoria News, August 8, 1936 part of the masthead that contains the date is taped to the clipping, an article entitled "Photographic Exhibition" about a display of 40 of Constance Stuart's work after her study in London.

  • Article entitled "Paton's Place", in The Argus.

  • Letter (handwritten) to Colonel Sterling Larrabee ("My dear dear Loopi Laarraabbee") from Constance Stuart Larrabee ("Konstansia") on white lined paper, asking "How's the farmer, the farm and seven farm dogs and four farm coloreds and two farm birds? What a happy time I am having thanks to Farmer Larrabee. Your present to me is great and I am enjoying it beyond all expectations." Letter mentions seeing old friends and family in Johannesburg and Pretoria.

  • Letter (typed) to Professor Bun Booyens from Constance Stuart Larrabee asking to meet him when in South Africa for her exhibition in Stellenbosch in March.

  • Article entitled "The Essence of Tribal Dress", in The Star.

  • Certificate from The Polytechnic, Regent Street, London, W1: "This is to Certify that Constance Stuart was awarded a Second Class Pass in Portrait Operating: Intermediate Stage."

  • Newspaper article entitled "The Gods Must Be Crazy- A Truly International Hit."

  • Thirty vintage prints; many are duplicates. Most stamped with either "Credit: Constance Stuart from Black Star" or "A Constance Stuart Photograph" Prints include: boys raking dirt in front of white building; a school teacher and his class learning outside; girls with watering cans; girls at play outside, holding hands in a circle; a wooden building with thatched roof and two crosses; family outside white home with thatched roof; portrait of a girl; four boys with small clay (?) figures; person with cooking pot; man gardening; woman and child inside, seated at table; boys outside with shovels, three girls in front of big succulent plant; girls climbing a wooden fence surrounded with barbed wire; young boys and girls outside a building; old lady with covered head, seated against a building, reading a book. All removed to vintage prints box.

  • Brochure: "South Africa's museums and art galleries."

  • Article entitled "Women's Day in KwaNdebele", in South African Digest.

  • Crowds gathered at Voortrekker Monument, Pretoria (South Africa)

  • Article entitled "Paton 'Kept Alive' by 'Beloved Country.'" Cape Times.

  • Photographs: Man looking into a box with a magnifying glass top; same scene, with man looking at the camera bottom Removed to vintage print box.

  • Magazine article entitled "The Cape Malays", in South African Panorama.

  • Envelope addressed to Mr. Michael J. Fairlie, Edinburgh.

  • Empty white airmail envelope stamped "Philatelic Services Pretoria 223563." Handwritten on top left of envelope is "Old Photos."

  • Article entitled "Green Valley, Constantia, Cape", in South African Architectural Record. Vol. 28, pp. 301-304.

  • Typed page of names and addresses of journalists/art critics in South Africa. Handwritten on top of page: Give to Mrs Larrabee over the telephone. 43-4603.

  • Letter to Constance Stuart Larrabee from Harry Amdur concerning stains on negatives.

  • Handwritten copy of Stuart Cloete's essay, "A Decorative People." See item 234.

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Ndebele Woman at Doorway
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