Object Details
- Local Numbers
- EENG-VII-12, 36A.
- General
- Title source: Index card based on photographer's notes.
- Photographer
- Elisofon, Eliot
- Collection Photographer
- Elisofon, Eliot
- Place
- Africa
- Mali
- Topic
- Masquerades
- Works of art in situ
- Masks
- Photographer
- Elisofon, Eliot
- Culture
- Dogon (African people)
- See more items in
- Eliot Elisofon Field collection
- Eliot Elisofon Field collection / Mali
- Extent
- 1 Negatives (photographic) (b&w, 35mm.)
- Date
- 1971
- Archival Repository
- Eliot Elisofon Photographic Archives, National Museum of African Art
- Identifier
- EEPA.1973-001, Item EEPA EENG 09596
- Type
- Archival materials
- Negatives (photographic)
- Black-and-white negatives
- Negatives
- Collection Citation
- Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
- Collection Rights
- Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
- Genre/Form
- Black-and-white negatives
- Negatives
- Scope and Contents
- "The Dama rite of passage takes place over a six day period. The second day is Gondenu, the day of dancing, and is organized in three phases, the separation, the liminal, and the reintegration. The reintegration phase resolves the conflicts and re-establishes order. The kanaga and sirige are paired in this phase and create a symbolism of the balanced pairing of male and female aspects." [Harris M., 1989: Visual tropes: The Kanaga Mask of the Dogon People of West Africa, Yale University]. The stilt performer is dancing 'Fulani woman' mask. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
- Collection Restrictions
- Use of original records requires an appointment. Contact Archives staff for more details.
- Record ID
- ebl-1536870822481-1536871015162-1
