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Abebu adekai (coffin in the form of a Nokia cell phone)

National Museum of African Art

Object Details

Samuel Narh Nartey, n.d., Ghana
Ga artist
Label Text
Cell phones are used heavily in urban and rural areas across Africa, and their influence can be seen in such diverse art forms as factory printed textiles and coffins. This particular coffin was commissioned for Africa.dot.com: Drums to Digital, an exhibition that toured the United States in 2008.
Popularized in the mid-1950s by the Ghanaian artist Kane Kwei (1922-1992), fantasy coffins range in subject from a farmer's onion to a rich man's Mercedes. Each imaginative form illustrates an important aspect of the deceased's life. A traveler might be interred in an airplane, for example, or a market woman might be buried in a coffin shaped like one of the chili peppers she sold. Today, such coffins are created for local use and for export to international museums and galleries. Artist Samuel Nartey opened his woodworking shop in the Teshi-Nungua region of Ghana after studying for 11 years with Paa Joe (born 1945), Kane Kwei's star apprentice.
Description
Life-size lidded coffin, predominantly green and brown in color, made in the shape of a Nokia cell phone and painted with a faux keyboard and a display screen reading "Hello." The interior of the coffin is lined with fabric.
Exhibition History
African Mosaic: Selections from the Permanent Collection, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 2013–August 12, 2019 (installed September 17, 2015)
African Mosaic: Selections from the Permanent Collection, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 2013-ongoing (deinstalled April 10, 2014)
African Mosaic: Celebrating a Decade of Collecting, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 19, 2010-November 13, 2013
Africa.Dot.Com: Drums 2 Digital; Museum of the African Diaspora, San Francisco, February 6-June 1, 2008
Published References
Kirkham, Pat and Susan Weber (eds). 2013. History of Design: Decorative Arts and Material Culture, 1400-2000. New York: Bard Graduate Center; New Haven: Yale University Press, p. 554, no. 22.12.
Stokes, Deborah. 2013. National Museum of African Art School Programs: The Arts Can Take You Places! Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 3.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Credit Line
Gift of Deborah Stokes
2007
Object number
2009-3-1
Restrictions & Rights
Usage conditions apply
Type
Sculpture
Medium
Wood, paint, cloth
Dimensions
H x W x D: 180.3 × 58.4 × 36.8 cm, 45.4 kg (71 × 23 × 14 1/2 in., 100 lb.)
Geography
Nungua, Ghana
See more items in
National Museum of African Art Collection
National Museum of African Art
Topic
Funerary
Writing
hand
Record ID
nmafa_2009-3-1
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/ys7a0848952-2063-4085-ace3-5b0b06a31f58

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There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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