Object Details
- Artist
- William H. Johnson, born Florence, SC 1901-died Central Islip, NY 1970
- Luce Center Label
- Pearl Harbor inspired two government-sponsored art exhibitions in 1942, for which William H. Johnson painted scenes of African Americans involved in the war effort. Soldiers Training contrasts the patriotism of black enlistees with the military’s segregationist policies. Black soldiers served in their own units, “black” blood was kept separate from “white,” and recruits took on the most menial jobs at Army bases and aboard ships. Johnson may have painted this scene based on reports of the “Buffalo Soldiers” who were training at Fort Huachuca, Arizona. Set in a desolate camp ringed by mountains, Soldiers Training suggests the isolation that black soldiers experienced among hundreds of thousands of men and women committed to winning the war.
- Credit Line
- Smithsonian American Art Museum, Gift of the Harmon Foundation
- ca. 1942
- Object number
- 1967.59.582
- Restrictions & Rights
- Usage conditions apply
- Type
- Painting
- Medium
- oil on plywood
- Dimensions
- 37 3/4 x 49 1/4 in. (95.9 x 125.1 cm.)
- See more items in
- Smithsonian American Art Museum Collection
- Department
- Painting and Sculpture
- On View
- Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 32A
- Smithsonian American Art Museum, Luce Foundation Center
- Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
- Smithsonian American Art Museum
- Topic
- Figure group\male
- African American
- History\United States\World War II
- Occupation\military\soldier
- Object\other\flag
- Object\weapon\gun
- Record ID
- saam_1967.59.582
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/vk7c066b948-bd11-4a71-8a30-f77116c324f9
