Poster, Hydrodynamics, L’Atome au Service de la Paix (Atoms for Peace), 1955; Designed by Erik Nitsche (Swiss, 1908–1998) for General Dynamics Corporation (Falls Church, Virginia, U.S.); Offset lithograph on paper mounted on canvas; Gift of Arthur Cohen and Daryl Otte in memory of Bill Moggridge, 2013-42-9.
Save Our Earth, 2009; designed by Joanna Aizenberg (Russian, b. 1960) and Wim Noorduin (Dutch, b. 1980); synthetic cilia demonstrating the principle of self-assembly around a spherical nanosphere and illustrated through scanning electron micrograph with false color; each synthetic cilium is approximately the size of a naturally occurring cilium (200 nanometers in diameter); courtesy of Aizenberg Lab and Wyss Institute for Biologically Inspired Engineering at Harvard University.
Edward Hopper, Ryder's House, 1933, oil on canvas, Smithsonian American Art Museum, Bequest of Henry Ward Ranger through the National Academy of Design, 1981.76
Historic Two-Part Show Will Debut the Museum’s Recent Promised Gift of Over 50 Key Works by Duchamp and His Contemporaries Exhibition Will Showcase His Extraordinary Influence on Artists Today
Ginny Ruffner with Grant Kirkpatrick, Liriodendrum plausus(Flapping tulip), 2017, sculpture (handblown glass with acrylic paint tree rings), island (plywood, low-density foam, fiberglass, epoxy, sand, pebbles, and acrylic paint), and holographic image. Sculpture: 19 x 12 x 9 in. Background: Bronze Tree (center island), 2017, plywood, low-density foam, fiberglass, epoxy, sand, pebbles, acrylic paint, bronze, and lampworked glass. Overall: 50 x 63 x 49 in. Installation view at MadArt Studio, 2018. Courtesy Ruffner Studio. Photo by Fiona McGuigan.
Dick West (Southern Cheyenne, 1912–1996), “Spatial Whorl”, 1949–1950. Oil on canvas. Gift of Dwight D. Saunders, 2004. (26/5102)
This work will be exhibited in “Stretching the Canvas: Eight Decades of Native Painting” opening Nov. 16 at the National Museum of the American Indian’s George Gustav Heye Center in New York City.
Michael Sherrill, Yellowstone Rhododendron, 2000, porcelain, glaze, steel. 11.25 x 15 x 11 in. Smithsonian American Art Museum, gift of David and Clemmer Montague, in memory of her mother Beatrice Slaton and her brother Carson Slaton, Mississippi Gardeners, 2005.34.
Bayard Rustin (on left), one of the founders of the Southern Christian Leadership Conference and a key organizer of the March on Washington, with Cleveland Robinson.
“Cutting Squash (Leah Chase)” by Gustave Blache III, 2010, oil on panel, National Portrait Gallery, Smithsonian Institution; gift of the artist in honor of Mr. Richard C. Colton Jr. Copyright Gustave Blache III
I.M. Pei by Yousuf Karsh, 1979, Gelatin silver print, National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh. Copyright Estate of Yousuf Karsh
In its new pose devouring a Triceratops, the Nation’s T. rex will be the centerpiece of “The David H. Koch Hall of Fossils—Deep Time,” a 31,000-square-foot dinosaur and fossil hall opening June 8 at the Smithsonian’s National Museum of Natural History.
