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Miki Hayakawa, One Afternoon, ca. 1935, oil on canvas, 40 x 40 in., New Mexico Museum of Art, Santa Fe, Gift of Preston McCrossen in memory of his wife, the artist, 1954, 520.23P
Male giant panda Bao Li in his habitat at Shenshuping Base in Wolong, China, May 16. (Photo credit: Roshan Patel, Smithsonian’s National Zoo and Conservation Biology Institute.)
Yūzū Nenbutsu Engi (Origins of the Yuzu Nenbutsu Sect) 融通念仏縁起 (detail), Handscroll, Kamakura or period, 14th century, Japan, Ink, color, and gold on paper, National Museum of Asian Art, Smithsonian Institution, Freer Collection, Purchase—Charles Lang Freer Endowment, F1959.13.
Treaty with the Western Cherokee, 1828. Image courtesy of the National Archives and Records Administration.
Portrait of the artist Adam Pendleton. © Adam Pendleton. Photo: Matthew Septimus.
Credit: “The Outwin 2025: American Portraiture Today” presented by the Smithsonian’s National Portrait Gallery.
Roberto Lugo, DNA Study Revisited, 2022, urethane resin life cast, foam, wire, and acrylic paint, 66 × 27 × 17 in. (167.6 × 68.6 × 43.2 cm), Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 2024.19
“The Grim Work of Death” by Christopher Myers. Collection of the Smithsonian’s National Museum of African American History and Culture. Copyright Christopher Myers.
A large Hyperwall—a giant video screen used to display NASA’s Earth Information Center data—will be the centerpiece of “NASA’s Earth Information Center at the National Museum of Natural History.” James Di Loreto, Smithsonian.
Amy Sherald, “What’s precious inside of him does not care to be known by the mind in ways that diminish its presence (All American),” 2017; private collection, Chicago; Copyright Amy Sherald; photo: Joseph Hyde, courtesy the artist and Hauser & Wirth.
Jean-Michel Basquiat, "Boy and Dog in a Johnnypump," 1982. Acrylic, crayon, and spray paint on canvas; 96 × 164 in. (240 × 420 cm.) Private collection. All images by Jean-Michel Basquiat, all likenesses of Jean-Michel Basquiat, and all use of Jean-Michel Basquiat's name © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.
Venezuelan folk sculpture of José Gregorio Hernández, a late 19th- and early 20th-century physician who became a symbol of health-care charity.
DY Begay (Diné, b. 1953), “Intended Vermillion,” 2015. Wool with plant, insect, and synthetic dyes, 49 x 37 ½ in. Denver Art Museum: Commissioned and funded by Kent and Elaine Olson for the Denver Art Museum, 2015.266
Terence Nicholson, Safety Jacket: A Mourning in Chinatown, 2018. Anacostia Community Museum, Smithsonian Institution. Gift of Alexia and Roderick von Lipsey.
Post Office Department poster for a 5c stamp issue carries a slogan for registering and voting, 1964. Credit: Smithsonian Libraries and Archives.
This original plaster model was used to create the sculpture of Mary McLeod Bethune, which was installed in the National Statuary Hall in the U.S. Capitol. Credit: Collection of the Smithsonian’s National Museum of African American History and Culture, gift of Nilda Maria Comas, copyright Nilda Comas.
Credit: “Untitled” (America) (1994), Twelve parts, each: 42 light bulbs, waterproof rubber light sockets, and waterproof electrical cord. Overall dimensions vary with installation. Copyright Estate Felix Gonzalez-Torres, Courtesy Felix Gonzalez-Torres Foundation. Photo: Roberto Ruiz, Image courtesy of Museu d'Art Contemporani de Barcelona. Installed on Las Ramblas, Barcelona, as part of Felix Gonzalez-Torres: The Politics of Relation. Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, Spain. 26 Mar. – 19 Sep. 2021. Cur. Tanya Barson.
Polygraph (cardio-pneumo-psychograph); 1921. Gift of City of Berkeley Police Department. Photo by Jaclyn Nash, National Museum of American History.
Detail of “Folio from a ‘Shahnama’ (‘Book of Kings’) by Firdawsi (d. 1020); Anushirvan bestowing largess upon his minister Buzurjmihr” / Credit: National Museum of Asian Art, Smithsonian Institution, Freer Collection, Purchase—Charles Lang Freer Endowment, F1942.2 (detail)
“James Baldwin” by Beauford Delaney, pastel on paper, 1963. National Portrait Gallery, Smithsonian Institution. Copyright Estate of Beauford Delaney by permission of Derek L. Spratley, Esquire, Court Appointed Administrator; courtesy of Michael Rosenfeld Gallery LLC, New York.
Bruce Onobrakpeya, b. 1932, Nigeria, Station VI: Veronica wipes the face of Jesus (detail), 1969, linoleum block print on rice paper, gift of Mr. George A. Naifeh, collection of the High Museum of Art, Atlanta.
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