Self-Portrait with Banjo

Object Details

Luce Center Label: Jimmy Lee Sudduth starts his mud paintings by drawing the outline with a “dye-rock,” a soft stone sometimes used by Native Americans to paint their skin. He then fills in the shapes with a mixture of mud, sugar, and paint, and rubs leaves and berries over the top for more color. (Chuck and Jan Rosenak, Museum of American Folk Art Encyclopedia, 1990) Sudduth uses the sugar so that the mud will harden, and sometimes even adds honey or Coca Cola to the mixture. (Nancy Callahan, “Plywood for his canvas, turnip greens for paint, old houses as subject,” The Christian Science Monitor, July 23, 1980) In this image, he applied only three colors to create a vibrant self-portrait. The deep blue of the background and the bright white of the figure’s clothing emphasize the rich, earthy tones of the mud he used to “paint” his skin.
Luce Object Quote: “This is somethin’ new. This is somethin’ the art people ain’t got---in the whole world.” Jimmy Lee Sudduth, quoted in Nancy Callahan, “Plywood for his canvas, turnip greens for paint, old houses as subject,” The Christian Science Monitor, July 23, 1980

Credit Line: Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment

1986

See more items in: Smithsonian American Art Museum Collection
Department: Painting and Sculpture
On View: Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 23A; Smithsonian American Art Museum, Luce Foundation Center; Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor

Smithsonian American Art Museum

Topic: African American; Occupation\art\painter; Portrait male\self-portrait; Portrait male\full length; Object\musical instrument\banjo

GUID (Link to Original Record): http://n2t.net/ark:/65665/vk7c7f75486-b886-4572-b2fa-973acea5492a