Roman Chariot Race

Object Details

Description: Stephen Ferris collaborated with his brother-in-law Peter Moran in 1875 to make this large reproductive etching of Alexander von Wagner’s stirring painting Chariot Race in the Circus Maximus, Rome in the Presence of the Emperor Domitian. The scale of the work required an oversized copper plate, which was difficult to find. The young artists, who were new to the etching medium, fabricated their plate from the bottom of a copper boiler, according to H. R.Wray's 1893 Review of Etching in the United States. Moran, who would specialize in animal subjects, etched the horses, the archway in the background, and the roadway. Ferris, known for his portraits, etched the figures and the rest of the architecture. This etching was one of the largest made in the US at the time. The print was well received; the New York Times noted: “Of the style of execution we can speak only in the highest terms.”; Alexander von Wagner (1838–1919), a Hungarian artist active in Germany, also enjoyed considerable success when he exhibited the painting Chariot Race in Europe in 1872. Wagner painted other versions; one was shown to critical acclaim at the Centennial Exhibition in Philadelphia in 1876. The Manchester Art Gallery in England owns a version, which may be seen on its website. It was not unusual at that time for an artist to paint several versions of a popular subject in different sizes.
Location: Currently not on view

1882

1875

Physical Description: paper (overall material); ink (overall material)
Measurements: image: 22 cm x 57 cm; 8 11/16 in x 22 7/16 in; sheet: 46 cm x 71.5 cm; 18 1/8 in x 28 1/8 in

See more items in: Work and Industry: Graphic Arts; Ferris Collection; Communications; Art

National Museum of American History

GUID (Link to Original Record): https://n2t.net/ark:/65665/ng49ca746a5-d403-704b-e053-15f76fa0b4fa