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Painting - Numbers in a Spiral

National Museum of American History

Object Details

painter
Johnson, Crockett
Description
Some of Crockett Johnson's paintings reflect relatively recent research. Mathematicians had long been interested in the distribution of prime numbers. At a meeting in the early 1960s, physicist Stanislaw Ulam of the Los Alamos Scientific Laboratory in New Mexico passed the time by jotting down numbers in grid. One was at the center, the digits from 2 to 9 around it to form a square, the digits from 10 to 25 around this, and the spiral continued outward.
Circling the prime numbers, Ulam was surprised to discover that they tended to lie on lines. He and several colleagues programmed the MANIAC computer to compute and plot a much larger number spiral, and published the result in the American Mathematical Monthly in 1964. News of the event also created sufficient stir for Scientific American to feature their image on its March 1964 cover. Martin Gardner wrote a related column in that issue entitled “The Remarkable Lore of the Prime Numbers.”
The painting is #77 in the series. It is unsigned and undated, and has a wooden frame painted white.
Location
Currently not on view
Credit Line
Ruth Krauss in memory of Crockett Johnson
ca 1965
ID Number
1979.1093.51
catalog number
1979.1093.51
accession number
1979.1093
Object Name
painting
Physical Description
masonite (substrate material)
wood (frame material)
Measurements
overall: 82 cm x 85 cm x 1.3 cm; 32 5/16 in x 33 7/16 in x 1/2 in
See more items in
Medicine and Science: Mathematics
Science & Mathematics
Crockett Johnson
Art
National Museum of American History
Record ID
nmah_694675
Metadata Usage (text)
CC0
GUID (Link to Original Record)
https://n2t.net/ark:/65665/ng49ca746a5-2fbb-704b-e053-15f76fa0b4fa

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  • Mathematical Paintings of Crockett Johnson

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NUMBERS IN A SPIRAL
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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