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Howard Hughes

National Portrait Gallery

Object Details

Artist
Ernest Hamlin Baker, 1889 - 1975
Sitter
Howard Robard Hughes, 24 Dec 1905 - 1976
Exhibition Label
Aviation tycoon Howard Hughes was hard to ignore even though he was reclusive by nature. He was also intelligent and one of the wealthiest people in America. With money to fuel his entrepreneurial passions—which included making such movies as his World War I flying sensation, Hell’s Angels (1930)—he confidently told Time magazine, “I’ll make news for you.” In May of 1948, Hughes had just bought a controlling interest in RKO Pictures, in which he intended to shake up the management. RKO owned 124 theaters, and Time speculated that the purchase would make film distribution easier for Hughes. Mixing “sex, slapstick and violence,” his films—like The Outlaw (1943), starring seductive Jane Russell—would now have less risk of censorship from movie house managers.
Era difícil ignorar al magnate de la aviación Howard Hughes, a pesar de su natural tendencia al aislamiento. También era inteligente y uno de los hombres más ricos de Estados Unidos. Contando con el caudal necesario para respaldar sus pasiones empresariales (entre ellas películas como la famosa Hell’s Angels (1930), sobre los pilotos de la Segunda Guerra Mundial), Hughes declaró a la revista Time: “Voy a hacer noticia para ustedes”. En mayo de 1948 acababa de convertirse en accionista mayoritario de RKO Pictures y tenía intención de intervenir en la gerencia. RKO poseía 124 cines y Time especulaba que la movida de Hughes le facilitaría su propia distribución. Ahora, esos filmes suyos —mezcla de “sexo, slapstick y violencia”, como The Outlaw, de 1943, con la seductora Jane Russell— correrían menos riesgo de ser censurados por los gerentes de las salas de proyección.
Collection Description
In 1978, Time magazine donated approximately eight hundred works of original cover art to the National Portrait Gallery. The museum is dedicated to telling the stories of individuals who have shaped the United States, and the Time Collection—featuring prominent international figures and events—enriches our understanding of the United States in a global context.
En 1978, la revista Time donó a la National Portrait Gallery cerca de 800 obras de arte originales creadas para sus portadas. Nuestro museo se dedica a narrar la historia de figuras que han contribuido a forjar el desarrollo de Estados Unidos, y es así que la Colección Time, que incluye retratos de importantes personalidades internacionales, nos ayuda a comprender mejor a nuestra nación en un contexto global.
Credit Line
National Portrait Gallery, Smithsonian Institution. Conserved with funds from The Pritzker Traubert Family Foundation
1948
Object number
NPG.97.TC43
Restrictions & Rights
Usage conditions apply
Type
Painting
Medium
Gouache and ink on paper on paperboard
Dimensions
Board: 34.3 x 31.3 x 0.5cm (13 1/2 x 12 5/16 x 3/16")
Image: 30.2 × 24.8cm (11 7/8 × 9 3/4")
See more items in
National Portrait Gallery Collection
Location
Currently not on view
National Portrait Gallery
Topic
Personal Attribute\Facial Hair\Mustache
Vehicle\Airplane
Home Furnishings\Lighting Devices
Costume\Dress Accessory\Neckwear\Tie\Necktie
Howard Robard Hughes: Male
Howard Robard Hughes: Arts and Culture\Performing Arts\Film\Film producer
Howard Robard Hughes: Science and Technology\Aviator
Howard Robard Hughes: Business and Finance\Businessperson\Industrialist\Manufacturer\Aircraft
Howard Robard Hughes: Civilian awards\Congressional Gold Medal
Portrait
Record ID
npg_NPG.97.TC43
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm412fc387f-ec24-4327-9db0-bf4d60057341

Related Content

  • 1948: A Year in the Colletions

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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