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Oral history interview with Jon Shirley, 2018 August 7-8

Archives of American Art

Object Details

interviewee
Shirley, Jon, 1938-
interviewer
Riedel, Mija, 1958-
Subject
Calder, Alexander
Close, Chuck
Microsoft Corporation
Seattle Art Museum
Pilchuck Glass Center (Stanwood, Wash.)
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection
Place of publication, production, or execution
Washington (State)
Physical Description
6 sound files (4 hr., 35 min.) Audio, digital, wav; 75 Pages, Transcript
Access Note / Rights
The transcript and recording are open for research. Contact Reference Services for more information.
Summary
An interview with Jon Shirley conducted 2018 August 7-8, by Mija Riedel, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Shirley's home in Medina, Washington.
Mr. Shirley recalls hiring architect George Suyama to design a 23,000-square-foot home to house the art collection Shirley was assembling with his wife, Mary; growing up in Honolulu, Philadelphia, and Puerto Rico as his father was in the military; an influential humanities class at the Hill School; discovering Alexander Calder while still in high school; studying at MIT; his 25-year tenure with Radio Shack and Tandy International Electronics stores; a five-year period in Brussels that expanded his knowledge of art; his and Mary's move to Seattle and subsequent engagement with art glass and Pilchuck; becoming president of Microsoft and taking the company public; the evolution of his Alexander Calder collection to 40+ works (what has been called the best privately held Calder collection in the U.S.); his 30+ year friendship with Chuck Close, collecting more than 30 of his works, and financing "The Portrait Speaks;" his long-term engagement with the Seattle Art Museum and in particular the founding and endowing of the Olympic Sculpture Park; Mary's death in 2013 and Shirley's subsequent remarriage to Kim Richter; and endeavoring to restore Calder's only posthumously made work, "Mountain and Clouds," in the Hart Senate Office Building. Shirley also recalls working with Robert Mnuchin, Anthony Grant, Sandy Rower, Tobias Meyer, Robert Storr, Patterson Sims, Arne Glimcher, Jinny Wright, Barney Ebsworth and the Pace Gallery; acquiring works by Magdalena Abakanowicz, Jesús Moroles, Marino Marini, Mark Rothko, Gerhard Richter, Mark di Suvero, Claes Oldenburg, David Smith, Joan Mitchell, Korean Dansaekhwa artists, Constantin Brancusi ("Bird in Space") and Alberto Giacometti ("Dog"); and building a collection of 350+ works of sculpture and post-WWI paintings.
Citation
Quotes and excerpts must be cited as follows: Oral history interview with Jon Shirley, 2018 August 7-8. Archives of American Art, Smithsonian Institution.
Additional Forms
Transcript is available on the Archives of American Art's website.
Funding
Funding for this interview was provided by Barbara Fleischman.
Biography Note
Jon Shirley (1938- ) is a retired president, chief operating officer, and director of the Microsoft corporation, and a collector of Modern art, in Medina, Washington. Mija Riedel (1958- ) is a writer and editor in San Francisco, California.
Language Note
English .
Provenance
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Location Note
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Record number
(DSI-AAA_CollID)17598
(DSI-AAA_SIRISBib)396438
AAA_collcode_shirle18
Type
Sound recordings
Interviews
Archives of American Art
Topic
Art -- Collectors and collecting
Art, Modern
Record ID
AAADCD_oh_396438
Metadata Usage (text)
Usage conditions apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer
View Transcript

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